Edward Kienholz’s sculpture “The Friendly Grey Computer — Star Gauge Model #54” serves as both the beginning and end of the LACMA exhibit “Coded: Art Enters the Computer Age, 1952-1982.” (Sarah ...

Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?

This article is featured in the 2024 Homecoming Special Issue. For some creative students at Dartmouth, their passion for digital art was realized in an unlikely place: two courses in the computer ...

When Alessandro Manzella creates an illustration, he thinks of it a little like composing a piece of music. In the modern music industry, both traditional and electronic instruments have found their ...